Mellon Collie and the Infinite Sadness by the Smashing Pumpkins
So I've been thinking a fair bit about what Danielita wrote in her blog the other day. It's troubling to think that I, who worshipped at the throne of George Stroumboulopoulos back when he was the edgy VJ, now scoff at the latest pelvic thrusts of nuevo punk, pop, and rock "artists" (yes, I am using the term artists veryloosely). When did I become this stuck-up prude who would rather listen to Herbert von Karajan's recording of La Nozze di Figaro and sip sherry than catch the "Top Ten at Ten" on the Fox (a reference for the Vancouverite in all of us)?
I thought a good starting place would be to figure out what the best albums of the 90s were. Well, that's entirely too subjective, so I decided to figure out which five cds I wore out over the course of the 90s.
Mellon Collie and the Infinite Sadness - the Smashing Pumpkins
Big Shiny Tunes - MuchMusic (before they sucked)
Jagged Little Pill - Alanis Morissette
OK Computer - Radiohead
This Is My Truth Tell Me Yours - Manic Street Preachers
Pretty mainstream stuff, really. Then I got to wondering what the top albums of the 90s would have been for the current mainstream darlings. My Chemical Romance. Billy Talent. Fall Out Boy. Justin Timberlake. Who were their influences? Suddenly, I begin to see a trend, a connection between the 80s and what's currently in rotation. It's not all, but mostly 80s redux.
I hated the 80s. Unequivocally. Well, the 80s did give us U2, which I guess I shouldn't complain about. But what about Madonna? Flock of Seagulls? There was some good to come out of the 80s (like December 31st, 1989), but in my humble opinion, it was a rather dark time for music. I guess for those who loved the 80s, the current musical trends must be wonderful. For me, it's Hell 2.0, a horrific trip down a neon spandex-filled memory lane.
It's a musical time lag. I have to wait until 2010 before 90s music is reinterpreted and built upon in any meaningful way. Well, maybe not until 2010. There are some exceptions: Metric, New Pornographers, Fiest, Modest Mouse, and Death Cab for Cutie seem to be doing a good job of still creating good new music. Sort of a voice in the wilderness type of thing. Until then, I'll be revisiting my Smashing Pumpkins collection, if only to annoy the boys upstairs who believe that angst-ridden rock was invented in 2006.